10 ways designers are reinventing glass lamps today

Transparent or colored, smooth or textured: glass continues to inspire contemporary designers through traditional techniques and new forms of experimentation.

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Cover photo: Italamp, Coulisse

Glass may be the most classic of all materials used to make a lamp. From ancient Venetian chandeliers with multiple arms to crystal-drop fixtures, from lanterns to opaline spheres, glass has always been a protagonist. Its versatility and mutable nature explain why: transparent or smoked, smooth or diamond-patterned, glass is perfect for protecting light sources while also shaping decorative pieces with strong character.

One, ten, a hundred glass lamps

Contemporary glass lamps fall into several categories. Some creations preserve traditional artisanal techniquespressed-glass elements are a major trend today — often designed and produced in historic Venetian furnaces such as Venini or Barovier&Toso. Contemporary brands also experiment with craftsmanship: Artemide, together with Neil Poulton, brings back the balloton technique. Blown glass remains a timeless classic, ideal for giving lamps a precious quality. It allows for transparent or opaline diffusers, and can even take on playful forms such as Exit, the wall light by 6:AM,  a refined reinterpretation of the safety signs found in public spaces. Here are 10 recent models that use glass creatively and in different ways.

Venini

Architect Michele De Lucchi signs Frakki for the historic Murano furnace
Venini: a modular lighting collection built from shingles crafted using the plate-glass technique and embossed with a mold to obtain a three-dimensional diamond texture. These elements — available in colored versions as well — can be combined to create table, floor, wall, or pendant lamps, including the chandelier shown here.

Collection Particulière

Simple lines and the dialogue between two “pure” materials define the Torch floor lamp by Collection Particulière. Designed by Dan Yeffet, it features a sculptural marble base (in white Carrara, black Marquina, Saint Laurent grey, or travertine) and a thin upper shade in clear glass, grey smoked glass, or bronze smoked glass.

Artemide

Alambicco, the new modular suspension by Neil Poulton for Artemide, has an extremely contemporary design while reviving ancient glassmaking techniques. At its core is a technological heart — an aluminum structure containing the LED circuits — around which multiple layers develop. The first is a ridged glass cylinder that ensures correct light diffusion; on top sit clear diffusers crafted using the balloton process.

Brokis

Spectra by Brokis revisits the archetypal lamp-with-shade silhouette, transforming it into a transparent outline. The dimmable light source emits upward and downward, and the blown-glass structure comes in clear, brown, smoke grey, or opaline versions.

6:AM

Balancing citation and irony, the Exit wall lamp by 6:AM is a hand-blown, serigraphed milk-glass cube mounted on a powder-coated iron frame. It recalls emergency exit signs found in public buildings — but in a far more refined version.

Ferroluce

Habea, a table lamp with a ceramic body in vibrant colors and a satin blown-glass spherical diffuser, is produced by Ferroluce. It reinterprets the iconic 1920s Bauhaus reading lamp by Wagenfeld while nodding to Enzo Mari’s fruit bowls.

Italamp

Coulisse by Italamp, designed by Boatto Martino Studio, features a gunmetal-colored metal frame supporting a fluted-glass tube encasing the diffuser. Its silhouette recalls wind instruments and their elongated, elegant forms.

Oluce

Dancing Glass by Viktor Vasilev for Oluce is a suspension lamp with a horizontal metal structure that hides the LED source. The blown-glass diffusers — available in clear or smoked versions — soften the geometry and create unexpected reflections thanks to their juxtaposed shapes.

Saint Louis

The French crystal manufacturer Saint Louis presents a portable battery-powered mini lamp from its Folia collection. The shade is cast crystal, while the cover and charging element are metal.

Barovier&Toso

Agave by Barovier&Toso, designed by García Cumini, features a modular structure composed of leaf-like elements that recall the plant from which it takes its name. The project revives traditional Venetian plate-glass techniques with a dew-textured surface, playing with transparency and color gradients.

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